Venice - Flowers

Flowers as a subject in themselves began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers began to appear not only in vases, but also immersed in their natural landscape. While initially a pretext for painters to attempt a photographic reproduction of reality, with contemporary art, the subject of flowers also becomes a way of interpreting reality.

The artist Venezia's primary means of expression are color and brushstrokes. Although firmly rooted in a figurative conception, Venezia's painting is profoundly material and gestural. The color is applied in dense, full-bodied layers that almost elevate the painting's surface. Gesture is crucial, capable of giving form to the object with just a few essential touches. The result is a powerfully alive and vibrant depiction, in an interpretation of painting that stems from the post-Impressionist tradition and reaches an extraordinary contemporaneity.

Venezia can be considered a painter with a good academic education, inspired above all by a post-impressionist language in which the composition is built entirely by colour.

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