Rino Telaro - Untitled

The work's iconography has an ironic, grotesque quality, likely with some allegorical and satirical connections. The language used has strong ties to the German New Objectivity artistic movement. The same simplified and infantile interpretation of reality is evident. We find the same cynical nature of painters like George Grosz and Otto Dix in lashing out at their own society with lucid irony.

In this painting, the painter's satirical and allegorical intent prevails over formal means, which are reduced to the timeliness of an illustration. With a deliberate and deliberate stylistic choice, the artist elevates the vignette to a work of art in a self-deprecating and humorous game. There is also a clear critique of the use of the female body as an object to be exhibited.

Rino Telaro was born in 1950 in Caserta. His artistic career, which began in 1966, has been marked by numerous experiences throughout Europe. He moved to Paris in May 1968, actively participating in cultural movements. In 1972, he returned to Italy and divided his time between Rome and Milan. In 1975, he participated in the Rome Quadrennial. From 1976, he lived in London for twelve years, where he frequented important critics and artists. He is a member of the "Artists for Democracy" group, whose theorist Guy Brett is connected to the Italian group "Cosa Mentale." Since 2000, he has lived in Brussels.

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