Marisa Grande - Primordial Split

Marisa Grande, a former teacher of Drawing and Art History at the "De Giorgi" Scientific High School in Lecce, has been active in the art scene since the 1970s. After an initial "external collaboration" in applied art as a jewelry designer at the renowned Italian goldsmith house UNO-A-ERRE, in parallel with teaching, she developed an original language that finds its full expression in the "meta-realism" of her artistic production. Marisa Grande has made synergy between various fields of knowledge her way of life, applying interdisciplinary thinking to both teaching and art. In 1990, she launched the "Manifesto of the Synergetic-art Cultural Movement," whose goal is to build global knowledge by leveraging areas of empathy that allow rationality to be combined with creativity, science with art, and contribute to the creation of a new humanism, eliminating rigid sectoralism. His artistic activity is known nationally and internationally for having been disseminated through important art exhibitions and solo and group exhibitions held in national and international cities, such as:

• Rome (April 2016 - 1996 - 1995 - 1994 - 1992 -1991 - 1989 - 1986),
• Palermo (January 2016),
• Milan (December 2015 - 2014 - 1992 - 1991),
• Lecce (2015 - 2008 - 2007 - 2001 - 1997),
• Bologna (2014)
• Cesenatico (2013),
• Forlì (2013),
• Praise (2013),
• Monreale (2013),
• Venice (2013 -1991),
• Monte Carlo (2011),
• New York (2009),
• Casarano (2004),
• Joy of the Hill (2002),
• Mola di Bari (2001),
• Naples (2001 - 2000 - 1999 - 1992),
• Paris (1999 -1992 1991 - 1988),
• Livorno (1998 - 1991),
• Gallipoli (1998 -1972),
• Taranto (1996),
• Florence (1993),
• Athens (1992),
• Barcelona (1992),
• Figueras (1992),
• Madrid (1992),
• Seville (1992),
• Tunis (1992),
• Czestochowa (1991),
• London (1991),
• Sanremo (1991),
• Turin (1991)
• Vienna (1991),
• Amsterdam (1990),
• Stockholm (1990),
• Perugia (1990),
• Washington DC, (1989),
• Caracas (1989)
• Las Vegas (1989),
• Tokyo (1989),
• Hong Kong (1988),
• Seoul (1988),

Among the most prestigious awards he has received are numerous gold medals, gold plaques, cups, and world prizes, such as: two Oscars of the Arts, two Golden Lions of the Doges of Venice, the Golden Pegasus, the Davide di Donatello of the Arts, the Golden Van Dick, the Salvador Dalì World Cup, and the Golden Rose of the Desert. For her research and the high quality of the expression of her creative languages, national and international critics have also awarded her important personal recognitions for her "conceptual and moral rigor", for her "professionalism" and for her "application in the free sciences". Honorary titles conferred include the appointment with a plaque and gold medal as "member of the International Relations Commission" of the Michelangelo Academy in Rome, the honor of Doctor of Advanced Studies (TLC) from the Italian Academy "Gli Etruschi" in Livorno, the Gold Plaque for "professional painting" and the "Plac d'Or Europeen" for free sciences in the new community from the Foundation of Poets, Writers, Painters and Journalists for World Peace Rome-Paris; the nomination as "EA Artist of the Year - 2013," the inclusion of GIGART Finance among the "Great Masters of the Twentieth Century" - 2015, the EA Award for "World Peace 2015" and "Artist of the Year 2015." His artistic production, having received the acclaim of national and international critics, is included in many prestigious publications; in particular, his works appear in art books, in national and international yearbooks and encyclopedias, in catalogues of exhibitions and in specialized magazines. Her works are present in art galleries such as ART&CO in Lecce and in virtual galleries such as "Vetrinart" and "Selling paintings". Italian art and literary critics have written about her, such as:

Capellini, V. Cracas, S. Donno, C. Franza, G. Ianuale, P. Levi, A. Lupidi, A. Mancini, P. Mancini, R. Mangione, M. Monteverdi, G, Perciasepe, P. Rossini, M. Russo, S Serradifalco and foreigners, such as: M. Becher, MFL Gerbaud, T, Ho-Kit, C. Mannington, JL Rampant.

On a conceptual level, by rereading the History of Art from a cosmological perspective, Marisa Grande has also come to formulate personal theories of Paleo- and Archaeoastronomy, Geomythology and Seismic Dynamics expressed in the trilogy of essays on megalithism (“The cultural horizon of megalithism”, Besa 2008), On the seismology that precedes writing, starting from Paleolithic cave paintings and the pictograms of the Grotta dei Cervi in ​​Porto Badisco (From universal symbols to writing", Besa 2010) and on Geomythology, morphology and telluric energies (“The precarious harmony of the cosmos”, Besa 2012), which, together with articles in sector journals and the proceedings of specific conferences, have contributed to the research of the Istituto Superiore di Ricerca Ambientale in Rome (ISPRA 2010) and of the Italian Society of Archaeoastronomy at the Brera Observatory in Milan (SIA 2001- 2015). His cultural production also includes books on art, poetry and pedagogy, columns, articles and multimedia activities.

Marisa Grande, attentive to the local community, works with local associations and organizations to promote and implement projects to protect and enhance the local area and its tangible and intangible assets, both local and national, as well as its artistic heritage.

http://synergeticart.wordpress.com/

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