Hector Zablach - Pre-Columbian Art

In the history of art, a clear distinction can often be made between figurative and abstract stylistic movements. However, when an artist's goal is to represent an object that resonates with phenomenal reality but is also charged with hidden and symbolic meaning, this boundary can become blurred. Symbolism and Expressionism are emblematic stylistic movements in their conceptual interpretation of reality, with an iconic rendering of images and a symbolic interpretation in the use of color.

Hector Zablach's compositions are simple yet highly balanced, designed to convey the true essence of his homeland—a spontaneity and authenticity rooted in South American popular religiosity. However, the artist's brushstrokes possess a remarkable capacity for synthesis, which brings us to the cosmopolitan Zablach, who, while maintaining a constant thread connecting him to his origins, does not shy away from engaging with diverse aesthetic interpretations, with the European or North American avant-gardes. In his works, the painter achieves a type of synthesis comparable to that of the Expressionist movements, along with a spatial decomposition clearly inspired by Cubism.

Hector Zablach was born in Santiago, Chile, in 1934 and trained at the Academy of Fine Arts in Buenos Aires. Due to the difficult historical situation in his country, he moved to Brazil, where he taught painting and sculpture at the Centre Cultural de Bangù, while also beginning an extensive exhibition program in the Americas. In 1973, he moved to Europe, and his participation in the Asiago contemporary art exhibition, where he met artists such as Baj Guttuso and Cassinari, proved crucial.

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