Giovanni Bresolin - Helena

The human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the female figure is an expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the female figure has also been a central figure in the new aesthetic concepts brought about by the historical avant-garde, such as Cubism, Expressionism, and Surrealism.

In his sculptures, Giovanni Bresolin draws on a classical and traditional conception of artistic creation. As we can see in this work, the sculptor pursues a completely naturalistic rendering, which he achieves through his remarkable technique. The artist manages to emphasize the subjects' volumes, creating a balanced relationship within the work. The physiognomies are highly precise, with a certain idealization.

Giovanni Bresolin, also known as Barbetta, is a sculptor and ceramist. He trained at the Zen factory in Novese, and later took over the sales department of the Ancora factory. Under his direction, the company achieved significant success.

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