Giorgio Balani - Cosmic Aesthetics

Born in 1946 with Lucio Fontana's Manifiesto Blanco, Spatialism posed primarily as a question related to the perception of artworks. The movement's goal was to definitively transcend the surface of the canvas for a perceptual experience that engaged with space. Hence, the use of electronic technical devices, employed for their ability to radiate energy, or the use of gestural techniques, such as holes or cuts, to break through the surface of the work and invade it with the accidentality of reality.

Giorgio Balani's spatial exploration primarily involves the composition of his works. The artist deploys explosions of particles and flashes of light that, from the pictorial medium, seem to emanate energy into the viewer's space. In this type of exploration, Balani displays a graphic and aesthetic elegance that certainly owes something to optical art. His artistic approach lies somewhere between conceptual art and highly refined design.

Giorgio Balani is an artist whose research can be linked to the Spatialist movement. All his works are a continuous exploration of perception and the energy released by artworks. His aesthetic is very similar to that of Optical Art.

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