Evelina Marinangeli - The Valley of the Kings

The work is an abstract composition. "Abstract" derives from the Latin term "abstrahere," which means to extract or draw out. The process of abstraction, in fact, consists of eliminating the particular and individual aspects of an object to derive a universal concept. From Kandinsky to Mondrian, from Pollock to Mirò, many painters have pushed the process of abstraction to the limit in their works, paradoxically creating pure forms and pure colors that do not exist in nature, or translating their emotions and instincts into images.

Evelina Marinangeli's paintings display an extraordinary formal complexity. This complexity is undoubtedly the result of the artist's extensive reflection, which has led her to develop her own pictorial language. A style open to various influences and expressive possibilities, ranging from the simple process of abstraction and synthesis of sensory data to the achievement of an informal style that no longer maintains any connection with reality. This openness is evident on a formal level, as Evelina Marinangeli adopts diverse techniques, demonstrating a remarkably eclectic spirit, open to all kinds of experimentation. Just as we find pure, almost immaculate form, the artist seamlessly transitions into action painting. Just as the application of paint can be light, consisting of transparent glazes, at the same time we find a textured, raw color. All of this is carefully combined to create the extraordinary complexity we have been discussing, which fills every space of the painting with a highly dynamic interplay between abstract and informal, rationality and instinct. This complexity is also reserved for the colours, which appear in a great variety of iridescent chromatics.

Evelina Marinangeli is a contemporary painter whose language is predominantly abstract. Her style is open to various influences, including Informal Art and Action Painting.

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