Carla Galli - Untitled

The iconography of this painting certainly has allegorical meanings and can be defined, in some ways, as symbolist precisely because of its allusion to underlying meanings. This type of subject can be traced back to the artistic language of late nineteenth-century painters such as Moreau, Bocklin, and Puvis des Chavannes, who, despite using a substantially figurative language, developed intellectually complex iconographies, full of symbolic and allegorical references.

In her refined graphic works, artist Carla Galli decisively favors the use of pure line. It is the line that constructs the subjects, explores them, and enhances their volumes. For this reason, her compositions unfold in elegant, harmonious, and sinuous rhythms. The refined taste of this lithograph, therefore, lies precisely in its simplicity of means, yet complexity of movement. We can see this especially in the intricate design of the flower or the hair of the two figures, where the arabesque movement of the line produces a beautiful decorative effect.

As we can see from an analysis of this work, Carla Galli is an artist distinguished by her excellent graphic production. In her lithographs, line plays a key role in resolving compositions into elegant and complex decorative rhythms.

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