Attilio Ferracci - Untitled

The work is an abstract composition. "Abstract" derives from the Latin term "abstrahere," which means to extract or draw out. The process of abstraction, in fact, consists of eliminating the particular and individual aspects of an object to derive a universal concept. From Kandinsky to Mondrian, from Pollock to Mirò, many painters have pushed the process of abstraction to the limit in their works, paradoxically creating pure forms and pure colors that do not exist in nature, or translating their emotions and instincts into images.

The painting is a perfect example of geometric abstraction. The painter uses both concepts of pure color and pure form, condensing them into the two-tone triangle at the center of the composition. To make the work more dynamic, the artist adds a system of curved lines that span the entire surface. The background also further enhances the work's rhythm, with the spatula strokes leaving spiraling marks.

Attilio Ferracci is a painter who uses an abstract pictorial language. He draws primarily from the historical avant-garde, particularly Kandinsky.

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