Aldo Lanciano - At the Window

In the history of art, a clear distinction can often be made between figurative and abstract stylistic movements. However, when an artist's goal is to represent an object that resonates with phenomenal reality but is also charged with hidden and symbolic meaning, this boundary can become blurred. Symbolism and Expressionism are emblematic stylistic movements in their conceptual interpretation of reality, with an iconic rendering of images and a symbolic interpretation in the use of color.

The painter Aldo Lanciano has a unique vision of the world that we can recognize in all his works. He seeks to go beyond the mere sensory data to delve deeper into reality. Thus, his female figures swell, taking on monumental, rounded volumes, seeking a full exaltation of form. Furthermore, the same volumes are depicted on different planes and from multiple viewpoints (recalling Picasso and Cubism) to provide a comprehensive representation that goes beyond the mere vision of the subject. Even the space created by Lanciano (delightful glimpses of rural villages) is not univocal, but constructed from multiple perspectives.

Aldo Lanciano is a Ligurian artist born in 1942. He studied with Melani, Mariotti, Cappellini, Cordigiani, and Bartolini, and became an important painter and printmaker. He gained fame for his works inspired by a Cubo-Surrealist aesthetic, featuring opulent women with enigmatic faces.

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