Alberto Ambrosini - Untitled

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has always been an artist's aspiration. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance, then with atmospheric rendering in the 16th century, up until the depiction of every single vibration of light on objects in Impressionism.

The style of the Ambrosini brothers, Alberto and Massimo, in their still lifes, landscapes, and portraits from life, seems to tend toward hyperrealism. Indeed, one notices a desire to objectively convey to canvas, with cold lucidity, the sensory data before their eyes. They both possess a remarkable technique reminiscent of Flemish painting, in the precision with which they reproduce various materials and the effects of light falling on them. Despite their objective clarity and while avoiding overly accentuated atmospheric effects, the Ambrosinis' technique is such that objects are naturally inserted into space, with a continuity and indefiniteness of contours.

The Ambrosinis are a family of painters originally from Vigevano. Massimo and Alberto are Gino's sons. They practice figurative painting with a tendency toward hyperrealism. Their artistic language is so objective that it reaches a level of apparent illusion, rendering their works almost metaphysical.

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