Sanna - Costa Smeralda

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a constant aspiration for painters. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the 16th century; up until the depiction of every single vibration of light on objects in Impressionism. The "seascape" in particular is a recurring theme among artists. First, for the lyricism implicit in views overlooking the sea or in romantic images of small harbors. Second, because the depiction of aquatic surfaces allows painters to give free rein to their chromatic flair, thanks to refined interplays of reflections and reverberations.

Sanna's style follows the tradition of romantic and poetic landscape painting. The compositional structure of the work is based on a precise design that pursues an objective, naturalistic rendering of the view. The purity of form, however, is tempered by painterly effects and a harmonious color palette that casts a magical light over the entire scene. Light, therefore, takes on the role of absolute protagonist, measuring the vast space of the view and spreading its silvery reflections across the water's surface. Thus, the landscape, despite its impeccable naturalistic rendering, is charged with vibrations that imbue it with a romantic, poetic aura.

As we can see from the analysis of this work, Sanna is an artist who devotes himself primarily to landscape painting with a highly lyrical vision of phenomenal reality. For the artist, translating emotions into images through a very lively and cursive touch, inspired by Impressionism, is essential.

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