Roland Tapì - New Madonnas

Surrealist aesthetics emerged around the 1920s, encompassing all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension.

Roland Tapì's artistic production is coherent with a distinctive language that offers diverse insights. Tapì's starting point is undoubtedly the Italian pictorial tradition, and therefore the rationality, geometry, and exaltation of plasticity typical of 14th- and 15th-century frescoes. Tapì brings this geometricism, rooted in the past, into contact with the contemporary, with the deconstruction of the Cubists, the pure forms of the Abstractionists, and the playfulness of Paul Klee. And so, Roland Tapì's world is born, magically suspended in a dimension between past and future.

Roland Tapì was born in Milan in 1961. He is a multifaceted figure working in various artistic fields. In painting, he trained under Lucio Ranucci and developed a strong affinity with Massimo Campigli. In his solo exhibitions, he includes not only paintings but also multimedia works. Roland Tapì is an extremely creative personality; in addition to being an artist, he is also a musician, narrator, screenwriter, graphic designer, photographer, actor, and cultural event organizer.

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