Pierluigi De Lutti - Color and Music

The work draws on an Informal aesthetic language. The devastation wrought by World War II left a profound mark on Western civilization, which in the visual arts also resulted in an inability to communicate. For some artists, this challenge led to a complete rejection of any visual language, resulting in the birth of Informal Art. The various Informal movements are certainly connected to American Abstract Expressionism, especially with regard to the gestural component, but they go further in their rejection of any figurative element, even geometric. Their research focuses instead on the material from which their works are composed.

Pierluigi De Lutti's informal art develops through a perceptive exercise. The artist begins by acquiring sensory data and reworks it according to his highly personal sensibility. Thus, the work becomes a chromatic composition that definitively loses all contact with phenomenal reality, translating into a pure transposition of matter and gesture. De Lutti, in effect, seeks to capture the impression of reality, but this leads him to completely disintegrate form and translate his perception directly into pictorial gesture. In this painting, the artist is able to create a chromatic material that seems alive, dynamic, and constantly evolving. In the intensity of colors that merge into a living organism, existence pulsates in bright, sudden flashes.

Pierluigi De Lutti was born in Monfalcone in 1959. At a very young age, he left home and family to move to Ferrara, where for several years he alternated studies with sports. After graduating from the Art Institute, his artistic talent emerged in the 1980s when, upon returning to Friuli, he met Luciano Chinese's Nuovo Spazio gallery and the art critic Paolo Rizzi, who would follow him until his death. His artistic breakthrough, however, came with his attendance at the studio of Maestro Giuseppe Zigaina. In those years, he began exhibiting his first works, which were appreciated by the public and critics, both locally and internationally. In the 1990s, he attended long courses in abstract art in Los Angeles and New York, thus moving from figurative to informal art. In 2005, he began collaborating with the Orler art gallery, and the general public immediately appreciated his work and continues to follow his artistic development with interest. After selecting one of his works, the MoMA in New York invites him to join The Artist Viewing Program by placing the catalogue Attuale Spiritualismo in the museum's library.

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