Nardini - Farmhouse

Landscape has always played a leading role in artistic research, both as a setting and a backdrop, but also as a subject in its own right. The naturalistic description of landscape has been one of the greatest aspirations for artists of every era. Each historical period has given its own interpretation of landscape, contributing to the evolution of its description: first with a research into space, through Brunelleschian perspective in the early Renaissance; then on the rendering of atmosphere in the sixteenth century; up to the representation of every single vibration of light on objects in Impressionism.

The pictorial style of the artist Nardini is based, essentially, on a naturalistic rendering of sensible reality modulated by an interpretation of an Impressionistic type. First of all, the artist sets up a very scenographic framing of the chosen portion of the landscape, through the diagonal recession of the buildings which creates a very dynamic backdrop. The description of the houses is very precise and detailed in outlining a concrete piece of realism. Despite this, Nardini's painting style results extremely dynamic thanks to a very rapid application of an Impressionistic type. In this way, the realism of the representation is further enriched by a character of immediacy given by the precise recording of the luminous and atmospheric vibrations on the objects. Furthermore, always thanks to the Impressionistic hatching, the artist manages to obtain a more emotional interpretation of this minimal piece of landscape, crossed by a small solitary figure.

As it appears from the analysis of this work, Nardini is a painter whose artistic practice is based on a classical and traditional conception. His landscapes are extraordinary pieces of realism of a solitary and minimal countryside. However, to the precise description of the sensible data, Nardini knows how to add, thanks to a fast technique of an Impressionistic type, notes of freshness and immediacy to his representation.

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