N. Palmisano - Untitled

The iconography of this painting certainly has allegorical meanings and can be defined, in some ways, as symbolist precisely because of its allusion to underlying meanings. It is a type of subject that can be traced back to the artistic language of late nineteenth-century painters such as Moreau, Bocklin, or Puvis des Chavannes, who, despite using a substantially figurative language, developed intellectually complex iconographies, full of symbolic and allegorical references.

Palmisano's painting style is based on traditional, classical values, such as naturalism and the detailed anatomical precision of his subjects. The painter's classical training can also be seen in his subject matter, clearly inspired by ancient mythology. Palmisano also possesses a very soft brushstroke that softens the forms. The color palette is vibrant and vibrant.

Palmisano is a painter who demonstrates a strong academic training. He is an artist committed to a classical conception of art, based on a naturalistic rendering of subjects with a certain degree of idealization.

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