Mountains - scrub

Landscape has always played a leading role in artistic research, both as a setting and a backdrop, but also as a subject in its own right. The naturalistic description of landscape has always been an aspiration for artists. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first through an exploration of space using Brunelleschian perspective in the early Renaissance, then through the rendering of atmosphere in the sixteenth century, and finally in Impressionism with the representation of every individual vibration of light on objects.

The work is based on the composition of a spherical space, compressed at the corners, as can be seen from the way objects are flattened toward the outer edges of the canvas. The artist intended to, and succeeded in, recreating the human eye's perception in the painting—a perception that is not linear as in orthogonal perspective but, as Cézanne had already intuited, creates a circular field of vision. In keeping with this perceptual approach, the sketchy manner in which the most distant objects are rendered, with a few quick brushstrokes, should also be interpreted.

The painter appears to be heavily influenced by a post-Impressionist conception of painting, in which the work remains firmly rooted in sensory data, while at the same time exploring the phenomenal reality in depth, focusing their research on the perceptual modes of the human eye.

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