Michele Cascella - Brooms in San Luigi

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the 16th century; and finally with the depiction of every single vibration of light on objects in Impressionism. In Michele Cascella's works, the subject is always a landscape where flowers and their colors are the protagonists. This type of floral view allows the Abruzzo master to unleash his full chromatic flair in a composition in which an Impressionist stylistic register is taken to its extreme.

In both his paintings and his engravings, we can see the extraordinary technical prowess of Michele Cascella's artistic approach. In his works, the entire structure is determined by an intricate hatching technique that gives form to objects, creates volume, and measures space. The result is a composition that, in addition to demonstrating great draftsmanship, captures the vibrations of light on objects and their interaction with the atmosphere. However, the defining characteristic of Michela Cascella's work, whether painting or engraving, is the leading role played by color. Indeed, the Ortona-born painter's research has always focused on developing a precious, brilliant, and luminous polychrome.

Michele Cascella (Ortona 1892 - Milan 1989). A painter with a remarkable career, his works are exhibited in important museums both in Italy and abroad. He experimented with numerous techniques, but his greatest achievements were with his floral subjects. Cascella's style of painting is both investigation and a precious lyricism of color. He remains faithful to a naturalistic approach, but his technique is dedicated to capturing all the chromatic and luminous vibrations of the floral world in his paintings.

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