Homage to Massimo Campigli - The Sisters

In the history of art, a clear distinction can often be made between figurative and abstract stylistic movements. However, when an artist's goal is to represent an object that resonates with phenomenal reality but is also charged with hidden and symbolic meaning, this boundary can become blurred. Symbolism and Expressionism are emblematic stylistic movements in their conceptual interpretation of reality, with an iconic rendering of images and a symbolic interpretation in the use of color.

The work is a bas-relief by an unknown artist inspired by the art of Massimo Campigli, born in Berlin in 1895 with the real name of Max Ihlenfeld and who died in Saint Tropez in 1971.

Massimo Campigli's artistic production fits perfectly into the climate of a return to order that gripped European painting between the 1930s and 1940s. After a period of great innovation and experimentation by the historical avant-garde, some pictorial circles felt the need for a return to tradition. Archaic figurative forms were therefore reworked and recontextualized in a contemporary context. This is evident in Campigli's case, whose pictorial language draws inspiration from ancient Egyptian painting and Etruscan and Roman frescoes.

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