Marcucci - Untitled

The "Still Life" genre emerged in the early 17th century. It consisted of compositions of inanimate subjects, most often flowers or fruit. While initially it was an opportunity for painters to experiment with naturalistic or photographic reproductions of reality, with contemporary art, the "Still Life" also became a way of interpreting reality. Indeed, as happened, for example, in the Cubist avant-garde or in Giorgio Morandi, the in-depth exploration of objects was aimed at a conceptual representation, taken beyond the mere sensory aspect.

Marcucci's works reveal a post-Impressionist maturity. The composition, whether a still life, a vase of flowers, or a landscape, is compressed into the foreground, allowing no spatial depth. The painter's aim is not to capture the sensory aspect of the subject, but to capture its very essence, its substance. To this end, the brushstroke, rich in texture, intervenes, fleshing out the objects, breaking them down into different planes, recording the vibrations of light and life within them. The sensory aspect, therefore, is completely transcended in a complex conception of pictorial practice in which the artist's gestures themselves play a fundamental role. The composition thus resolves itself in a harmonious dialogue of chromatic zones. The dense brushstroke constructs each individual detail with its respective light vibrations. The very texture of the subject merges with the complexity of the space containing it, itself made of intense chromatic vibrations.

Marcucci is a painter who mainly paints landscapes and still lifes, which he executes with a typically impressionistic style, full of lyricism and freshness.

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