M. La Rocca - Untitled

The works are of the following dimensions:

• 40x50
• 70x50
• 70x50

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism. The three works demonstrate the artist's post-Impressionist maturity. The composition is entirely constructed through color, and the brushstrokes have a notable structural value. The painter's aim is not to capture the sensory aspect of the landscape, but to capture its very essence, its substance. To this end, the brushstrokes, rich in texture, intervene, breaking down the space into different planes, despite the simplicity of the representation, recording the vibrations of light and life on the subject. Thus, within a substantially two-dimensional surface, squashed into the foreground, the objects are constructed by the painter using broad, dense brushstrokes. Chromatically, moreover, the entire surface of the work is blended using a unifying palette. The painter M. La Rocca shows that he has a notable pictorial technique based on a structural application of colour and a composition with broad brushstrokes of post-impressionist inspiration.

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