Lobotelli - Set table

The "Still Life" genre emerged in the early 17th century. It consists of compositions of inanimate subjects, most often flowers or fruit. While initially it was an opportunity for painters to attempt a photographic reproduction of reality, with contemporary art the "Still Life" also becomes a way of interpreting reality, as it did for the Cubists or Giorgio Morandi.

The painting's style is grounded in a mature, post-Impressionist style of painting. The composition relies entirely on the application of color, applied with broad brushstrokes. With a Cezanne-like sense of construction, the brushstrokes, arranged on various planes, give shape to the objects. The artist, therefore, remains rooted in phenomenal reality, yet seeks to transcend it by deeply investigating, through his pictorial application, the essence of things. Perspective space itself is dismantled to achieve a more complex vision. The colors are vibrant with energetic hues bordering on expressionism.

The artist of this painting can be classified as a painter with strong post-impressionist tendencies. This is evident from the strong stylization he applies to his subjects, which seeks the form of things through the thickness and direction of his brushstrokes.

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