Iris Cantelli - Relax
Iris Cantelli - Relax
SKU:
Oil on canvas, 140x80, year 1994
Regular price
€1.000,00
Sale price
€1.000,00
Regular price
Tax included.
Delivery to Italy starting from €15, in 7-15 working days
Returns within 14 days
Payment methods available:
Bank transfer
Share this product
Characteristics
Characteristics
Certificato: No
Formato: Large (over 100cm)
Orientamento: Vertical
Supporto: Canvas
Soggetto: Naked
Codice prodotto: MBAD001
Description of the work
Description of the work
1. Identification and summary of the work
The painting attributed to Iris Cantelli, dated 1994, depicts a nude figure lying on a bed.
The work focuses on the relationship between the human body and textile surfaces, developing a
pictorial exploration centered on volumetric rendering and the quality of light.
2. Description of the subject and composition
Thework depicts a nude body seen from behind, lying down and partially immersed in bedsheets. The
figure occupies the central portion of the painting, with the pelvis and buttocks in the foreground, rendered
through rounded and compact forms. The torso extends longitudinally while the head
appears reclined and not fully visible, contributingto a representation devoid of
explicit narrative connotations. The bedsheets wrap and surround the body, forming
broad and dynamic folds that occupy much of the pictorial surface. The fabric, treated with
light tones, creates a sharp contrast with the figure and the background.
The background is structured in:
• a dark area with warm tones (reds and browns), which provides depth;
• a lighter area that suggests a vertical element, probably part of the domestic
environment.
The composition is constructed through curved and diagonal lines that follow the flow of the body and
the drapery, creating a balance between full masses and moving surfaces.
3. Stylistic and technical analysis
The work highlights a painting attentive to the plastic construction of the body through chiaroscuro. The
volumes are modeled with gradual tonal transitions that convey solidity and three-dimensionality.
From a technical point of view, the following can be observed:
• a soft and blended application of paint in the flesh tones;
• a marked attention to volumetric rendering, particularly in the pelvic area;
• a restrained color palette, based on warm and neutral tones;
• a differentiated treatment between the body (more compact and smooth) and the bedsheets (more
dynamic and moving).
4. Historical-critical
Dated to 1994, the work is part of a contemporary context in which figuration continues to
be practiced alongside more experimental languages.
The representation of the female nude seen from behind is situated within an established tradition in the
history of art, interpreted here in an intimate and domestic key. The focus is primarily
on the formal and luministic dimension rather than the narrative.
In the absence of critical documentation on the artist, it is not possible to precisely define further
historical-artistic
references.
figure occupies the central portion of the painting, with the pelvis and buttocks in the foreground, rendered
through rounded and compact forms. The torso extends longitudinally while the head
appears reclined and not fully visible, contributingto a representation devoid of
explicit narrative connotations. The bedsheets wrap and surround the body, forming
broad and dynamic folds that occupy much of the pictorial surface. The fabric, treated with
light tones, creates a sharp contrast with the figure and the background.
The background is structured in:
• a dark area with warm tones (reds and browns), which provides depth;
• a lighter area that suggests a vertical element, probably part of the domestic
environment.
The composition is constructed through curved and diagonal lines that follow the flow of the body and
the drapery, creating a balance between full masses and moving surfaces.
3. Stylistic and technical analysis
The work highlights a painting attentive to the plastic construction of the body through chiaroscuro. The
volumes are modeled with gradual tonal transitions that convey solidity and three-dimensionality.
From a technical point of view, the following can be observed:
• a soft and blended application of paint in the flesh tones;
• a marked attention to volumetric rendering, particularly in the pelvic area;
• a restrained color palette, based on warm and neutral tones;
• a differentiated treatment between the body (more compact and smooth) and the bedsheets (more
dynamic and moving).
4. Historical-critical
Dated to 1994, the work is part of a contemporary context in which figuration continues to
be practiced alongside more experimental languages.
The representation of the female nude seen from behind is situated within an established tradition in the
history of art, interpreted here in an intimate and domestic key. The focus is primarily
on the formal and luministic dimension rather than the narrative.
In the absence of critical documentation on the artist, it is not possible to precisely define further
historical-artistic
references.
5. Biography of the artist
Biographical information on Iris Cantelli appears limited and not fully documented.
According to available sources, she was an Italian artist active in the latter part of the twentieth century, not
widely represented in the main institutional collections or on the international art market.
Some references link her to Italian culturalcircles, but there are currently no
verified and systematic data on her painting activity.
6. Provenance
Provenance: private collection
7. State of conservation
The work is declared to be in excellent state of conservation.
No restoration interventions are reported.
Biographical information on Iris Cantelli appears limited and not fully documented.
According to available sources, she was an Italian artist active in the latter part of the twentieth century, not
widely represented in the main institutional collections or on the international art market.
Some references link her to Italian culturalcircles, but there are currently no
verified and systematic data on her painting activity.
6. Provenance
Provenance: private collection
7. State of conservation
The work is declared to be in excellent state of conservation.
No restoration interventions are reported.
Shipping and returns
Shipping and returns
The transaction takes place with maximum security for both the seller and the buyer. We take care of the conformity (provenance, authenticity, state of conservation) of the work and handle the shipping.
Returns are possible no later than 14 days after receiving the order.