GOLDEN OVAL HYPOTHESIS

This photograph is conceived as a painting, the only copy in this format. It is part of the larger Extender System project, in which the metaphor of experience literally unfolds through the warps and wefts of found, discarded, recovered, or dematerialized fibers before reuse. In my artistic research, I follow the ideological and political path of the Neo-Avant-Garde, renewing it with new urban and global demands, exploring the languages ​​offered by contemporary art: photography, weaving, land art, painting, performance, video and statement, music, relational and educational art. In photography, as in other media, I seek a subtle balance that is still classical, archetypal, and that brings me back to the primordial, with a life-giving effect.
The focus is on the environment, on the hyperreality of everyday life, on the awareness or unconsciousness of human action, mediated by language and relationships, on Transformation poised between the dualisms of nature/artifice, craftsmanship/technology, tradition and innovation. Here too, the work is an ongoing observatory in which everyday objects, sometimes made of textile material, become the focal point of biographical meditation, a minimal relic of an ephemeral archaeology of the present.

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