Idro Lazzerini - Conversation with the Master

The painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones.

The work presents a language poised between Cubism and Expressionism. The work, in fact, is structured within a geometric, mechanomorphic space, in which the volumes reveal their multifaceted aspects. At the same time, however, everything is filtered through a magical, fairytale atmosphere, created by the transparency of the glazes and the brilliant nuances of the colors. A sort of reference to the Cubo-Surrealism of an artist like Paul Klee.

Idro Lazzerini was a painter originally from Chianciano. A highly experimental painter, he always moved between expressionist and abstract styles.

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