Icon - Mary with Jesus

The iconography of this painting is inspired by the subject of the Madonna and Child. It is probably one of the most popular iconographies in the history of both Western and Eastern art. The Madonna and Child appears since the dawn of medieval painting and remained a constant subject as long as religious themes dominated artistic production (that is, until the 19th century, when themes inspired by everyday life began to be introduced). In this case, we have a typical Byzantine-style interpretation.

The panel adopts a language inspired by Byzantine art, reflecting all its prerogatives. Byzantine art retains all its strongly archaic stylistic features, aimed at exalting the supernatural and divine nature of what is depicted. For this reason, the panel exhibits a marked anti-naturalism of medieval origin. The conception of space is not rational, there are no regular proportions, and the subjects appear very elongated. The facial features are generalized, and the gazes are lost in contemplation of the divine. These are all elements that contribute to the work's transcendent aura. Formally, a marked linearism prevails over a substantially two-dimensional and abstract surface.

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