Ibrahim Kodra - Two Multiples

70x50cm - €550 46x61 cm - €500 Sold separately The two works in question are abstract compositions. "Abstract" derives from the Latin term "abstrahere," meaning to extract or draw out. The process of abstraction, in fact, consists of eliminating the particular and individual aspects of an object to derive a universal concept. From Kandinsky to Mondrian, from Pollock to Mirò, many painters have pushed the process of abstraction to the limit in their works, paradoxically creating pure forms and colors that do not exist in nature, or translating their emotions and instincts into images. The abstract art of the Albanian-born painter Ibrahim Kodra is fundamentally based on a post-cubist reinterpretation of reality. These two graphic works are clearly exemplary of the majority of artist Ibrahim Kodra's work. In his research, sensitive reality is subjected to a mechanical reconstruction that draws primarily on Picasso and Cubism. The most interesting aspect is that, in his mechanomorphic figures, Kodra manages to combine aspects of both Analytical Cubism (in the geometric decomposition of subjects within a complex space) and Synthetic Cubism (in the marked abstraction of figures, reduced to a set of lines and geometric shapes). Ibrahim Kodra's post-Cubism echoes the art of Gino Meloni and Ennio Merlotti, as well as the fantastical geometries of Paul Klee. Indeed, his subjects, beyond their purely mechanical character, in their totemic appearance and consistently vibrant color palette, convey a Balkan and Oriental influence that makes this artist's works truly unique. Ibrahim Kodra (Ishmi, 1918 – Milan, February 7, 2006). As a child, he was educated at the court of King Zogou. He completed his high school studies in science and attended the Odhisea Paskali art school in Tirana. At the same time, he devoted himself to sports, becoming Albanian champion in the discus and shot put. In 1948, he met Pablo Picasso, who had come to Italy for the Peace Congress. In 1950, he painted frescoes in public and private buildings in Milan, and the book of poems by AMZ Tomsich, featuring drawings by Kodra, was published. In 2003, he held a solo exhibition at the Somerist Hotel, Termoli (Campobasso). Other notable exhibitions include a retrospective at the Civic Gallery of Tirana, Albania, and a retrospective at the International Art Gallery of Pristina, Kosovo. He designed the cover of the monograph “Leonardo Da Vinci,” edited by Massimo Grillardi and published by Italia Grandi Opere (Bologna).

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