Giuseppe Chiari - Untitled

The work is an abstract composition. "Abstract" derives from the Latin term "abstrahere," meaning to extract or draw out. The process of abstraction, in fact, consists of eliminating the particular and individual aspects of an object to derive a universal concept. From Kandinsky to Mondrian, from Pollock to Mirò, many painters have pushed the process of abstraction to the limit in their works, paradoxically creating pure forms and colors that do not exist in nature, or translating their emotions and instincts into images. Giuseppe Chiari was one of the leading exponents of abstract art in Italy, and his research focused precisely on the relationship between perception and pictorial transposition.

The strong synthetic nature of this work is connected to the aesthetic peculiar to Giuseppe Chiari's work, which based his artistic practice on experiments in visual music. The strongly gestural component produces instinctive features, dictated by a vibrant emotionality generated by the experience of listening to music. The composition is thus imbued with a dynamic and calligraphic abstraction, which also characterizes the viewer's space, aiming to capture and visually translate all the vibrations associated with listening to music.

Giuseppe Chiari was a Florentine artist born in 1926 and died in 2007. He was a composer and musician whose work focused on the connection between music and visual art. This path was also part of his membership in the Fluxus group, which embraced the blending of various artistic media as its manifesto. Among his most notable solo exhibitions are the 2009 one at Careof DOCVA in Milan and the 2011 performance at the Auditorium Parco della Musica in Rome, curated by Achille Bonito Oliva. Among his group exhibitions are his participation in the 10th Rome Quadrennial, the Venice International Art Exhibitions of 1972, 1976, and 1978, Documenta 5 in Kassel in 1972, and the 1990 Sydney Biennale.

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