Giuliano Pisati - Church of San Cristoforo in Milan

The urban landscape was already a popular subject in the Middle Ages and the Modern Age, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering how, immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, its crowds, traffic, and typically bourgeois settings. In Giuliano Pisati's views of Milan, both the everyday—the frank and sincere realism of everyday life in a modest dimension—prevail, as do the bustle of the metropolis. Often, the human presence is overlooked, and the artist lets the buildings and objects speak for themselves, protagonists of a direct narrative, unfiltered by idealization.

Giuliano Pisati's style presents a perfect fusion of realism and a delicate impressionistic rendering of sensory details. On the one hand, the artist precisely describes the view in all its details, with a strong sense of the city's reality and the daily life of urban life. On the other, his refined painting technique allows him to convey a sense of immediacy to the canvas, thanks to brushstrokes charged with atmospheric vibrations. Light thus reverberates on objects, but without interfering with the precise description of reality, and the artist can modulate, with great naturalism, the shadows that appear on the walls and the reflections on the water of the Navigli. Giuliano Pisati's sincere realism is also expressed in his choice of a compositional structure made of clean lines, in diagonals that converge toward a precise vanishing point, revealing the artist's careful study of reality and a highly rational mind. His palette is made up of bright yet balanced hues, often tending toward blue and purple.

Giuliano Pisati, trained at the Brera Academy of Fine Arts, lives and works in Milan. He studied under the masters Moro, Pavesi, Oldani, and Spinocchia. His paintings are dedicated to views of Milan. He has received widespread acclaim in Italy and abroad, from a diverse audience fascinated by his interpretations, whether night scenes of metropolitan Milan or intimate and evocative views of the Navigli canals. Pisati's artistic career began with the Gruppo Pittori Bagutta of Milan, a cultural group based in the Navigli district, where the artist has his studio.

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