Giuliano Dabrazzi - Untitled

The iconography of this work certainly has allegorical meanings and can be defined, in some ways, as symbolist precisely because of its allusion to underlying meanings. It is a type of subject that can be traced back to the artistic language of late nineteenth-century painters such as Moreau, Bocklin, or Puvis des Chavannes, who, despite using a substantially figurative language, developed intellectually complex iconographies, full of symbolic and allegorical references.

While remaining consistent with his figurative language and his exploration of formal values, Giuliano Dabrazzi adopts a more expressionistic approach in this work. The subjects are concise and essential, lacking the plasticity that characterizes his other paintings. The color is applied in compact areas reminiscent of Gauguin's cloisonnism, delineating the forms with few strokes of color. Drawing is kept to a minimum, used only to outline the figures with a few iconic strokes. From a chromatic perspective, the prevailing preference is for neutral colors.

Giuliano Dabrazzi was a painter born in Quinzano d'Oglio in 1933 and died in Monza in 1999. He distinguished himself for his classical and traditional production of still lifes and landscapes, although his research also led to more Symbolist and Expressionist influences. He participated in group exhibitions and art shows and held several solo exhibitions.

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