Gaio Visconti - Untitled

The 1960s and 1970s saw the birth of various movements that investigated and stimulated visual perception, both through the traditional methods of painting and sculpture, but also through innovative mechanical means that allowed for serial reproduction.

The starting point of Gaio Visconti's works is the exploration of pure forms and colors that had been conducted since the avant-garde era. Think of Kandinsky's abstractions or Mondrian's Neoplasticism. With the introduction of mechanical media into the visual arts, this exploration was joined by that of seriality and the randomness brought by printing. In Gaio Visconti's case, however, the focus remains on traditional painting, with an exploration of perception and chromaticism that harks back to Robert Delaunay's discs and the experiments of Orphic Cubism.

Gaio Visconti's works are part of the broader movement that, in the 1960s and 1970s, explored human perception through the visual arts. The most important were Kinetic Art, Programmed Art, and Optical Art.

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