G. Troja - Abstract

The work is an abstract composition. "Abstract" derives from the Latin term "Abstrahere," meaning to extract or draw out. The process of abstraction, in fact, consists of eliminating the particular and individual aspects of an object to derive a universal concept. From Kandinsky to Mondrian, from Pollock to Mirò, many painters have pushed the process of abstraction to the limit in their works, paradoxically creating pure forms and colors that do not exist in nature, or translating their emotions and instincts into images. Silvia Colzani's pictorial research is linked to the abstract avant-garde.

The composition is based on the pursuit of pure lines and pure colors. Reality is assimilated by the artist and reconstructed through a geometric rationalization that reduces everything to the bare minimum of sensitivity. While the color settles on a dynamic and nuanced matrix, with intense luminous reflections, the composition proceeds with lucid objectivity, with clean cuts and precise curves. Thus, despite the profound rationality that guides the execution of this painting, the artist manages to convey a vital and vibrant transfiguration of reality. His is a lyricism that exalts the beauty of the world through a poetry of geometry.

As we can see from an analysis of this work, Troja is an artist deeply inspired by the abstract avant-garde movements of the early twentieth century. Her pictorial style draws primarily from Kandinsky, transfiguring the perception of reality into compositions of pure geometry and chromatic harmonies.

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