G. Patrone - Madonna

The subject of the Madonna is probably one of the most popular iconographies throughout the history of both Western and Eastern art, most often represented with the iconographic motif of the Madonna and Child. The Madonna appears since the dawn of medieval painting and remained a constant subject as long as religious themes dominated artistic production (that is, until the 19th century when themes inspired by everyday life began to be introduced).

The aesthetic of this work draws on a classical conception of artistic creation, characterized by a naturalistic rendering of the subject, marked by a strong idealization. This Madonna, in fact, draws inspiration from the formal principles of ancient art and the Renaissance, which had reworked and embraced them. For this reason, the work is distinguished by its highly naturalistic depiction of the subject and an overall compositional harmony imbued with a serene and calm idealizing aura. The three-quarter view, typically fifteenth-century, is key in this portrait. The execution retains a perfect naturalistic rendering typical of the early Italian Renaissance, which seems to draw inspiration from painters such as Filippo Lippi or Domenico Ghirlandajo.

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