G. Cappelli - Untitled

Portraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout all eras. Portraiture is, first and foremost, a description of the represented subject, an attempt to faithfully and naturally capture their physiognomy and individual characteristics. As artistic exploration gradually evolved, the physiognomic description of the subject was accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective inquiry into the subject, their character, and their state of mind. The processes of abstraction introduced by contemporary art have supported this type of inquiry.

The style of the painter Cappelli, in the majority of his works, is characterized by the development of a strongly expressionist language. The artist seeks to go beyond what is perceived by the senses to extract the true essence of reality and convey it on canvas in an agitated and dramatic manner. To this end, through the application of paint, he develops a highly synthesized approach that reduces subjects to dense, textured layers of paint, in which the artist's own emotionality also takes center stage, conveyed through his raw gestural style. All these elements together constitute the expressive power of Cappelli's painting. This power is also based on a deliberate aesthetic choice that reinforces the dramatic tone of his works, namely a tendency toward an accentuated monochrome of brown tones, from which the images emerge almost with difficulty, establishing a struggle with the paint itself.

G. Cappelli's body of work is distinguished by a strongly expressionist language that emphasizes gestural brushwork and a tendency toward brown monochrome.

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