G. Aleandro - Paris

The subject of the cityscape was already present in Medieval and Modern times, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting from the 19th century. We recall how, immediately after the realist movements of the 1800s, the Impressionists also gave great importance to the everyday, to daily life, with a certain predilection, however, towards the frenzy of the city, the crowd, traffic, and typically bourgeois settings. In G. Aleandro's city views, as in the work in question, the aspect of the everyday prevails instead, the frank and sincere realism of daily life in a city dimension.

The style of the artist Aleandro presents a perfect fusion between realism and a delicate impressionistic rendering of sensory data. Indeed, on one hand, the artist proceeds to a precise description of the view in all its details with a strong sense of urban reality and the everyday of an urban experience. On the other hand, his refined painting technique allows him to transfer a sense of immediacy to the painting, thanks to a quick brushstroke full of atmospheric vibrations. Light thus reverberates on the objects, but without interfering with the precise description of reality. The entire view is therefore characterized by a clear luminosity that reveals itself, by contrast, in the play of shadows. The use of a palette of soft and delicate colors is also aimed at this purpose.

The artist G. Aleandro stands out for the use of a very simple and direct style that gives life to a straightforwardly realistic conception of artistic creation. In his work, sensory data is not idealized but is reported as it is in reality. For this reason, his figurative language starts from reproduction from life but stands out for a certain impressionistic manner that guarantees liveliness and immediacy to the representation.

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