Francomanno G.- Untitled

The iconography of motherhood is closely linked to the subject of the Madonna and Child. It is probably one of the most popular iconographies in the history of both Western and Eastern art. The Madonna and Child appears since the dawn of medieval painting and remained a constant subject as long as religious themes dominated artistic production (that is, until the 19th century, when themes inspired by everyday life began to be introduced). It is quite common for contemporary artists to treat the iconography of motherhood without directly linking it to the Christian religion.

In this painting, G. Francomanno confirms his fundamentally figurative nature, yet remains open to any stylistic solution. Here too, we can appreciate how the artist remains grounded in objective data yet reworks it in an abstract manner. The subject is decontextualized into a surreal dimension. Thus, a strong dreamlike element is present in this work by Francomanno.

G. Francomanno is a painter with a highly open and experimental spirit, exploring diverse stylistic solutions. His language is essentially figurative, and his excellent formal and color technique is a constant. His compositions are influenced by a variety of styles, from Expressionism to Surrealism.

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