Maggioni Stop - Untitled

The urban landscape was already a popular subject in the Middle Ages and the Modern Era, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering how, immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, its crowds, traffic, and typically bourgeois settings.

Ferma Maggioni's views of Milan are based on a classical conception of painting. The composition is always governed by a balanced perspective, built on a vanishing point, in which objects are harmoniously arranged. In this way, the artist manages to enhance the buildings' plastic qualities, in their clear and regular volumes, often presented in foreshortened form. Formally, her touch is rapid, ensuring freshness and rapid execution. Ferma Maggioni's palette is distinguished by a predominance of cool tones, tending toward gray and blue, which convey the melancholic lyricism of a metropolitan atmosphere.

Ferma Maggioni is a Milanese painter. She has focused primarily on views of her city, using a very classical and traditional style. She has exhibited her work in various shows.

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