Fabbriano - Towards Good

The aesthetic language of this work can be classified as "Pittura Colta." This movement was theorized by critic Italo Mussa in opposition to the "Transavanguardia." Indeed, "Pittura Colta" opposes conceptual art and experimentation, drawing inspiration for its subjects from literary, historical, or artistic references. The combination of these elements often leads to surreal or metaphysical results. "Pittura Colta" is also called "Anacronismo."

Fabbriano incorporates pictorial references into his works through a personal interpretation. Formally, his style is extremely pictorial, almost undoing the form. Furthermore, the images are flattened, stretched, and distorted. It's as if the artistic quotation appears on a disturbed screen. This completes Fabbriano's citationist approach, personalizing the popular image by updating it in a contemporary context.

Fabbriano is the pseudonym of Ivano Fabbri, a painter born in Ferrara in 1963. He has a long career behind him, exhibiting his works in numerous exhibitions around the world (Warsaw, Bucharest, Ploudiv, Geneva, Munich, Frankfurt, Swansea, Sarajevo, Belgrade, Skopje, Monte Carlo, Moscow, Krasnodar, Tokyo, Barcelona, ​​Paris, Los Angeles). In 1977, he was included in the historical archive of the Venice Biennale. In 1984, he won the prestigious Joan Mirò Award in Barcelona.

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