EXODUS

During the three years of my academic career, I always tried to maintain a very figurative style of representation, whereas during the first year, I never followed a linear theme of thought and representation.
Starting from the second year, however, I understood that I had the need to paint and express what I truly had and still have at heart, that is, works that concern the Catholic faith, and the representation of Christ.
In the first series of paintings dedicated to the representation of sacred figures of the Catholic religion, I painted and revisited some sculptures by famous Baroque and Renaissance artists, where I always try to insert lights that strike the figures. These lights are nothing more than a form of communication made not by sounds or letters but by pure light alone. In each work, therefore, a constant dialogue takes place between the depicted subject and the Creator.

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