Summer

The earth becomes a pattern of a thousand variations, shadows and colors, especially in the evening when the sun is setting. There are lines, cracks and small holes, footprints, scratches, dried plant remains or stones—all these elements, static in themselves, incredibly give movement to a single "frame" we see when looking at a fragment of cracked field.
I have always used the fresco technique, but in this painting I develop the preparatory part, that is, the creation of the pictorial support which, with its shadows and reliefs, helps me in the expressive part.

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