Eldec spaDalì - Inferno Avaricious and Prodigal

Surrealist aesthetics emerged around the 1920s and encompassed all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension. This work is part of a series created by Salvador Dalí inspired by Dante Alighieri's Divine Comedy. This type of subject is extremely congenial to the surrealist and citational nature of the Catalan master's art.

This graphic work is part of a series of three in which the painter Salvador Dalí depicts moments from Dante Alighieri's Divine Comedy. As we can see, several themes dear to Dalí's poetics recur. First and foremost, the deformation of bodies, through elongation and fleshy masses, and the presence of soft organisms. Formally, instead of the more usual hyperrealistic language, we find a more synthetic Dalí, constructing the figures with a few graphic strokes and light washes of color. In this work, the poet's expansive mass leans over an anatomical representation that was quite typical for Salvador Dalí. The human body is depicted folded in on itself. The limb supported by a crutch is also a recurring theme in famous paintings.

Salvador Dalí (Figueres 1904-1989). A major representative of historical Surrealism, he was a photographer, writer, and filmmaker (his collaboration with Luis Buñuel is famous) as well as a painter. His works are based on the principles of psychoanalytic associationism, following the teachings of André Breton. His style is characterized by a turgid, harsh hyperrealism, in which his subjects display an obsessive attention to detail. His compositions are a mix of free associations, biomorphic organisms, and cultural references.

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