DE MARINIS - PARK

The painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones.

De Marinis is very attentive to a naturalistic rendering of the landscape and possesses a confident technique that enables him to faithfully convey reality on canvas. A perfect atmospheric rendering is evident, both of the quality of the air and the light that permeates the space. The objects depicted, therefore, blend delicately with the surrounding space, thanks to a highly refined application that uses almost transparent glazes. For this reason, the composition is constructed through harmoniously juxtaposed patches of color. Indeed, De Marinis's works are also highly balanced compositionally, with the work unfolding in harmonious chromatic zones and the elements arranged according to principles of equilibrium. Given the immersion of the entire landscape in light, very pale hues prevail, ensuring a coherent chromatic unity across the painted surface.

The painter De Marinis displays a sophisticated technique rooted in classical tradition, yet applied to a modern interpretation of painting. He remains faithful to a concept of art based on the imitation of nature, and thus his canvases allow little subjectivity. His style is highly realistic, yet displays some impressionistic immediacy. His technique exploits glazes and transparencies to create a patchwork composition imbued with chromatic harmony.

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