David - Sweden, Ludvika

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.

The artist's language can certainly be considered expressionist. The subject is subjected to a very pronounced synthesis. Even in the case of views or landscapes, David minimizes sensory reality by using broad, structural brushstrokes. The color takes on evanescent reflections, conveying a mystical image of reality.

Artist David uses a language strongly inspired by historical Expressionism, particularly the German movement Die Brucke. Reality is reduced in an almost brutal manner and interpreted through the use of colors with symbolic and spiritual meaning.

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