Dresser

Spontaneous drawing

Spontaneous drawing responds to the need to express, communicate, and elaborate a state of mind that cannot be entrusted to words: its content is still elusive and undefined, and so intimate that it cannot be expressed out of modesty, but the imagery that springs from the perception of what is there analyzes and synthesizes it instantly.
Spontaneous drawing represents the opportunity to confront one's own automatisms to face the unexpected: by welcoming the reality that presents itself and agreeing to explore the unknown, I draw on my internal resources: by listening to who I am in that moment and in that place, I orient myself, I open up, and I lead myself to the discovery of a movement full of meaning and uniquely mine.

Spontaneous drawing offers me the opportunity to communicate my emotions and thoughts through evocative images, which narrate through the suggestion of memory: the language is that which pertains to poetry, with its significant forms and connotative content, which the author and observer uniquely fill with themselves and their own history. The process is reversible: from the author's internal narration to the enjoyment of the drawing, and from the enjoyment of the drawing to the observer's internal narration. The work is valuable for the author in the act of creation and for the observer as they allow themselves to be penetrated by it, in a process that is transformative for both. The starting point is given, the arrival point is renewed each time.

Spontaneous drawing is composed line by line and color by color in a state of mind that ignites sensitivity and expands the ability to perceive what exists, inside and outside, as part of a network in which everything is connected: figures and details appear and integrate little by little, enter into a relationship, tell a story.
Spontaneous drawing arises from rumination or intuition, and its inspiration is often an image that forms and transforms in vision. Sometimes I think I'm putting an experience on paper, but the image, when observed, tells of another, seemingly prior, unconsidered yet present and influential: I seize the opportunity to be surprised by the images that pass through me, to observe them as they form within me to tell me what I feel. To transcribe them on paper, I must enter a place within me where judgment about right and wrong no longer exists: only what is necessary remains.

The spontaneous design, in the desire that ignites it, to communicate something that cannot or cannot yet, due to embarrassment or complication, be said, sometimes includes allusive words of memories recovered and to be recovered, which support it by suggesting a hermeneutic foothold.

Spontaneous drawing proceeds like a dance that is sensitive to the experience of the body and that is not content to reproduce pre-established choreographies, but welcomes the obstacles it encounters to recognize, renew, and rejoice in itself without being defined.

In spontaneous drawing, objects and characters appear, recurring or rare, which, when observed, offer red threads, suggestions, and stories: headdresses, cups, spears, wheels, underwear, boats, cats, birds, fish. Hearts. What is false clashes, what is true can remain, because one dissonance and the other resonate with the content of the subtle and irreplaceable internal movement.

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