Cardillo - Untitled

Landscape has always played a leading role in artistic research, both as a setting and a backdrop, but also as a subject in its own right. The naturalistic description of landscape has been one of the greatest aspirations for artists of every era. Each historical period has given its own interpretation of landscape, contributing to the evolution of its description: first with a research into space, through Brunelleschian perspective in the early Renaissance; then on the rendering of atmosphere in the Cinquecento; up to the representation of every single vibration of light on objects in Impressionism.

For the artist Cardillo, representing landscape means achieving, through the pictorial medium, a delicate fusion between naturalistic rendering and poetry. Indeed, his views, in which he uses a straightforwardly figurative language, remain anchored to sensory data. However, reality seems to be transfigured into a lyrical interpretation of its own that almost transfers it into a dreamlike dimension. All this is translated, from a formal point of view, into a very delicate pictorial approach where the representation of reality occurs in a rarefied way. This means that the recording of realistic details and particulars is lost in favor of a language that is tendentially more expressionistic and symbolic. It is complicit, in this path, the refined pictorial touch of Cardillo, which synthesizes objects with great delicacy. And so too the color palette stands out for a very delicate unnaturalistic tendency, for which the immersion in warm and saturated colors translates precisely the poetic sensitivity of the artist and his almost dreamlike interpretation of landscape.

The artist Cardillo is a figurative painter who, through in-depth research, has developed his own coherent and original language. His representations start from reality, but through a delicate pictorial conception tendentially symbolist, nature is transfigured into a poetic dimension of a dream.

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