Caroline Burnett - Eiffel Tower

The urban landscape was already a popular subject in the Middle Ages and Modern Ages, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering how, immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, its crowds, traffic, and typically bourgeois settings. In this work, Fanti prefers to draw inspiration from the simple and immediate everyday life of a lively city scene.

The style developed by Caroline Burnett in her work highlights a post-Impressionist maturity. The composition is entirely compressed into the foreground, without allowing any spatial depth. The painter's aim is not to capture the sensory aspect of the view, but to capture its very essence, its substance. To this end, the brushstrokes, rich in texture, intervene, which, despite the essentiality of the representation, flesh out the objects, breaking them down into different planes, recording the vibrations of light and life within them.

Caroline Burnett was an American painter born in 1877 and died in 1950. She began her career in Paris. A member of the Société des Beaux-Arts de Paris, she exhibited at the Société Nationale des Beaux-Arts in 1898. She is known for her Impressionist scenes of Paris. Her painting style reflects the contemporary movement that was taking place in France during her time there. Caroline Burnett's paintings also show hints of abstract influence, particularly her figurative paintings. This shift in style is not surprising, given that Burnett's paintings were produced primarily for the tourist market. Using both light and shadow with skill and precision, she painted cityscapes that showcase each season of Paris.

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