"Sketches for snails"

The overall momentum underlies a musicality of expression that is sometimes poetic, sometimes songlike, while the echo that emerges from it deludes the spectator, who is convinced that he is hearing that sound that is ultimately hidden, visible only to the one who, silent and stripped, lets himself be carried along without any prejudice, almost lightly touching those ribbons that transport from one point of the work to another in every corner, undercut, or circle, confusing the lines with the shapes.

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