Boldrini - The Three Boats

The painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones.

The work is magically suspended between naturalism and a dreamlike dimension. Formally, the painter represents a plausible reality, but his language belongs to a dimension different from that of the perceptible world. Indeed, the decontextualization is complete, and everything is captured in a magical atmosphere suspended in time. Sky and sea form a single sheet reflecting an almost dazzling light.

Boldrini is a painter whose language is essentially naturalistic. But his interpretation of phenomenal reality introduces a strong surreal connotation.

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