Barozzi - Untitled

The urban landscape was already a popular subject in the Middle Ages and the Modern Era, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It is worth remembering that immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, its crowds, traffic, and typically bourgeois settings. In his pictorial research, the artist Barozzi achieved a highly elaborate definition of the urban landscape, whether metropolitan or suburban.

Barozzi's urban views are so complex that they simultaneously embody a distinct metropolitan realist spirit, perfectly blended with a decidedly existential connotation of urban space. What unites them all is the absolute formal and compositional purity that distinguishes this artist's works. The representation of objects on the surface of the work creates a system of lines, perfectly perpendicular intersections, and impeccable perspectives. Barozzi's works are rational grids whose beauty lies in their perfection and the creation of a concrete space. However, Barozzi tempers this rationality with a vibrant pictorial interpretation. His application of color is lively, dynamic, intended to lend a strong existential connotation to the architectural purity of metropolitan space.

The artist Barozzi displays extraordinary technical prowess in his work. This allows him to fit into the pictorial movement that, from Hopper onward, combines hyperrealism with an existential definition of the metropolitan landscape.

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