B. Rota - Untitled

The urban landscape was already a popular subject in the Middle Ages and the Modern Era, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering how, immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, its crowds, traffic, and typically bourgeois settings.

Rota's painterly style is formally characterized by a palette knife-like application of dense, textured color, imbuing the objects and people with a lived-in aura. The composition is rather theatrical, with the massive Verona Arena looming large across the scene. Although color is undoubtedly dominant, a design structure can be discerned in the arrangement of a perspective and spatial grid.

The painter Rota has a rather classical and traditional conception of landscape painting which he interprets with his dense and material colour.

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